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Mary Oliver's Contributions

March 1, 2019

Thanks to Alissa Simon, HMU Tutor, for today’s post.

I never needed a reason to love the world, I simply just always have. With its faults and near-misses, its greed and its hope. I love the way it is patched together like a great quilt of countries and languages, mountains and deserts. Most of all, I love, and am humbled by the fact that somehow I participate in that great, complicated quilt. And so, many years ago, when I stumbled upon Mary Oliver’s poetry, I felt that I had found a kindred spirit. Oliver passed away in January of this year and to speak of her in the past tense grieves me greatly. Fortunately, her words remain so that her light is not altogether lost.

Oliver’s childhood was a brutal one, and yet somehow she turned around and made such beautiful things as the world had never seen. To create beauty from difficult circumstances is the first reason we should admire her. Mary Oliver turned to nature as the first place which gave her comfort. She avoided her family by walking out among rivers, flowers, and trees, but she also came to see struggle as part of the natural world. In fact, hope, in part, arrives as a result of struggle, and Oliver is eternally hopeful.

Her early work finds joy, ecstasy and divinity through nature. Then, in poems like “Rage” and “The River” she begins to address her personal pain and loss of home. She concludes “The River” with: “Home, I said./ In every language there is a word for it./ In the body itself, climbing/ those walls of white thunder, past those green/ temples, there is also/ a word for it. / I said, home.” It is an acceptance that home can be transient, not permanent. Every one of her poems grapple with big questions about love and faith, courage and forgiveness.

Many years later, she would say that she hardly knew herself in those early years. She said she had to go out and find herself, which she did by stumbling over rocky trails and along muddy rivers. That she taught herself the language of nature is the next reason that we should admire her. Countless people have quoted from “Wild Geese” or “Morning Poem” on blogs, mugs, letters, etc. Oliver’s language did not glorify or transcend nature, but put humanity squarely back into it. These poems, among many others, inspired friendship, imagination, and openness. She placed the human world within the most glorious riches of the earth, and then asked for us to witness that glory. The final sentence of “Wild Geese” is: “Whoever you are, no matter how lonely,/ the world offers itself to your imagination,/ calls to you like wild geese, harsh and exciting - / over and over announcing your place/ in the family of things.” She reminds us that we are to participate with nature and to imagine that presence as part of one complicated family.

Oliver’s work has always been profound and moving. Yet, near the end of her life, she began to explore spirituality. In Blue Horses, she discusses all types of faiths as she herself battles cancer. Yet, once again, she finds that beauty is itself the answer. In the poem “Franz Marc’s Blue Horses” she expresses sorrow about Marc’s career cut short by World War I. She writes, “I would rather die than try to explain to the blue horses/ what war is./ … I do not know how to thank you, Franz Marc./ Maybe our world will grow kinder eventually./ Maybe the desire to make something beautiful/ is the piece of God that is inside each of us.” In this poem, the natural world and the human-constructed world collide with dangerous and negative results, and still, Oliver finds beauty and names it. She responds by attending to both Marc’s life and death in a way that offers him thanks. It is this attention to detail which will make us kinder. Again and again, she asks us to use imagination in order to remind us of our connections.

During her lifetime, Mary Oliver won many awards such as the Pulitzer Prize and National Book Award. In addition to her writing career, however, she also taught at Bennington College. She inspired others to seek answers to big, daunting questions. Therefore, her teaching pursuits offer one more reason to admire her. At the end of her short essay titled “Upstream,” Mary writes:

“Teach the children. We don’t matter so much, but the children do. Show them daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin flowers. And the frisky ones – inkberry, lamb’s-quarters, blueberries. And the aromatic ones – rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit. Stand them in the stream, head them upstream, rejoice as they learn to love this green space they live in, its sticks and leaves and then the silent, beautiful blossoms.

“Attention is the beginning of devotion.”

She paid attention in a way that few humans find time for anymore. She invited all of us to do the same. Mary Oliver’s works never fail to inspire. And yet, certainly, if she were here today and reading this, she would defer not to her work but to the land itself, to the birds and skies that fly above all of our heads.

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Mary Oliver's Contributions

March 1, 2019

Thanks to Alissa Simon, HMU Tutor, for today’s post.

I never needed a reason to love the world, I simply just always have. With its faults and near-misses, its greed and its hope. I love the way it is patched together like a great quilt of countries and languages, mountains and deserts. Most of all, I love, and am humbled by the fact that somehow I participate in that great, complicated quilt. And so, many years ago, when I stumbled upon Mary Oliver’s poetry, I felt that I had found a kindred spirit. Oliver passed away in January of this year and to speak of her in the past tense grieves me greatly. Fortunately, her words remain so that her light is not altogether lost.

Oliver’s childhood was a brutal one, and yet somehow she turned around and made such beautiful things as the world had never seen. To create beauty from difficult circumstances is the first reason we should admire her. Mary Oliver turned to nature as the first place which gave her comfort. She avoided her family by walking out among rivers, flowers, and trees, but she also came to see struggle as part of the natural world. In fact, hope, in part, arrives as a result of struggle, and Oliver is eternally hopeful.

Her early work finds joy, ecstasy and divinity through nature. Then, in poems like “Rage” and “The River” she begins to address her personal pain and loss of home. She concludes “The River” with: “Home, I said./ In every language there is a word for it./ In the body itself, climbing/ those walls of white thunder, past those green/ temples, there is also/ a word for it. / I said, home.” It is an acceptance that home can be transient, not permanent. Every one of her poems grapple with big questions about love and faith, courage and forgiveness.

Many years later, she would say that she hardly knew herself in those early years. She said she had to go out and find herself, which she did by stumbling over rocky trails and along muddy rivers. That she taught herself the language of nature is the next reason that we should admire her. Countless people have quoted from “Wild Geese” or “Morning Poem” on blogs, mugs, letters, etc. Oliver’s language did not glorify or transcend nature, but put humanity squarely back into it. These poems, among many others, inspired friendship, imagination, and openness. She placed the human world within the most glorious riches of the earth, and then asked for us to witness that glory. The final sentence of “Wild Geese” is: “Whoever you are, no matter how lonely,/ the world offers itself to your imagination,/ calls to you like wild geese, harsh and exciting - / over and over announcing your place/ in the family of things.” She reminds us that we are to participate with nature and to imagine that presence as part of one complicated family.

Oliver’s work has always been profound and moving. Yet, near the end of her life, she began to explore spirituality. In Blue Horses, she discusses all types of faiths as she herself battles cancer. Yet, once again, she finds that beauty is itself the answer. In the poem “Franz Marc’s Blue Horses” she expresses sorrow about Marc’s career cut short by World War I. She writes, “I would rather die than try to explain to the blue horses/ what war is./ … I do not know how to thank you, Franz Marc./ Maybe our world will grow kinder eventually./ Maybe the desire to make something beautiful/ is the piece of God that is inside each of us.” In this poem, the natural world and the human-constructed world collide with dangerous and negative results, and still, Oliver finds beauty and names it. She responds by attending to both Marc’s life and death in a way that offers him thanks. It is this attention to detail which will make us kinder. Again and again, she asks us to use imagination in order to remind us of our connections.

During her lifetime, Mary Oliver won many awards such as the Pulitzer Prize and National Book Award. In addition to her writing career, however, she also taught at Bennington College. She inspired others to seek answers to big, daunting questions. Therefore, her teaching pursuits offer one more reason to admire her. At the end of her short essay titled “Upstream,” Mary writes:

“Teach the children. We don’t matter so much, but the children do. Show them daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin flowers. And the frisky ones – inkberry, lamb’s-quarters, blueberries. And the aromatic ones – rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit. Stand them in the stream, head them upstream, rejoice as they learn to love this green space they live in, its sticks and leaves and then the silent, beautiful blossoms.

“Attention is the beginning of devotion.”

She paid attention in a way that few humans find time for anymore. Furthermore, she invites all of us to do the same. Mary Oliver’s works never fail to inspire. And yet, certainly, if she were here today and reading this, she would defer not to her work but to the land itself, to the birds and skies that fly above all of our heads.

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Dragonflies

October 2, 2015

Thanks to Margaret Metcalf, HMU Tutor, who wrote today's blog about her recent visit to The Ridges Sanctuary in Wisconsin.

It is dramatic to see the Hine’s Dragonfly stalk its prey with those large emerald-green eyes with almost 360 degree vision (with the exception of directly behind them). Their magnificent pair of metallic green wings spans over three inches and some say it is like watching a ballerina perform in the sky as they make loops and fly backwards. Ancient fossils record a wingspan of over two feet. How disheartening to know that this ancient insect, dating back over 300 million years, is rarely seen now. I intentionally chose the word “rarely.” Are you aware that it is illegal to harm, harass, collect or kill the Hine’s dragonfly without a permit from the U.S. Fish and Wildlife Service? The Hine’s emerald dragonfly is on the U.S. List of Endangered and Threatened Wildlife and Plants of the U.S. Fish and Wildlife Service.

There is place called The Ridges Sanctuary which is located at Bailey Harbor on the Door Peninsula of Wisconsin that is acting as a stewardship of natural areas toward the preservation, education, and research of many diverse species of which the Hine’s dragonfly is only one. Today, Wisconsin is one of the few states where the Hine’s dragonfly can still be found. The Ridges Sanctuary has been able to preserve 1500 acres of land with the help of agencies such as the Nature Conservancy, the Door County Land and Trust, and well known advocates for conservation efforts including Aldo Leopold, John Muir, and the patriarch of The Ridges, botanist Albert Fuller. Upon arrival, however, it was not evident that beyond the Sanctuary’s doors there would be an immense recovery effort.

Shannon Pump, a naturalist at the Sanctuary, led me through a forest of bogs, sand dunes lining the shore of Lake Michigan, and over boardwalks that cross wetlands. Shannon told of how each area was devoted to the specialized habitat conditions necessary for a particular species to survive. Many species being restored at the Sanctuary have had the lifeline to their natural habitats cut off due to competition of invasive species, man’s development for use of land, and changes in tree canopy due to climate changes. The Hine’s dragonfly needs a very special habitat in order to survive and its habitat’s greatest threat is the destruction of the wetland and shallow streams by pesticides and other pollutants that contaminate the spring-fed shallow water where they breed. Man has destroyed much of the wetlands for commercial and urban growth.

Why should we care about the Hine’s dragonfly or dragonflies in general? First of all, their ancestors go back to a time before dinosaurs and that should prompt historical value. They are a very important predator in eliminating mosquitoes, biting flies, wasps, ants and gnats. And, in their nymph stage, they are important in the food chain for large aquatic animals such as fish. I could tell you more interesting things about the dragonfly, like the unique way they breathe, but you likely wouldn’t believe me so I’ll leave that for you to research on your own.

Through research, preservation, education and outreach, the Sanctuary has been working over 80 years as stewards with these guiding principles for protecting and determining the best ways to improve and manage endangered species. Each of us has seen the beautiful antics of the dragonfly or perhaps another species which makes one reflect upon nature’s beauty.

Many of us can practice a stewardship of nature. You can do this in many ways. One way is how Shannon Pump does it – by her love of telling others about a beautiful gem in Bailey’s Harbor. Or, you can be a steward of land conservation efforts such as those of Nature Conservancy by asking them to help you plan a stewardship gift through your estate planning. Get involved in local programs or fundraising efforts. But, most of all, enjoy nature!

More information about The Ridges Sanctuary can be found on their website: http://www.ridgessanctuary.org/

 

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